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Cristiano Calcagnile

Mrafi

The process through which we prefer to construct our musical explorations is that of improvisation.
Existing compositions are used in the improvisional flow in order to suggest various alternative routes and interpretations of them, but at the same time improvisation determines fundamental changes – also of a structural nature – to compositions, which become broken down to form constructive elements, like the bricks to be used for the total building, whose overall architectural shape is never determined a priori.

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